As I grind through The Novel, with thousands of words behind me and just a few thousand more ahead, I am aching to write short fiction again. There is such challenge and satisfaction in crafting a complete story, with fully formed characters facing obstacles and arriving at some sort of resolution, in fewer than 10,000 or 5,000 or 1,000 words. Excuse the running metaphor, but short fiction is a speed workout that leaves you trembling with endorphins, legs wobbly from those fast-twitch muscle fibers that fired you through quarter-mile repeats instead of the measured slog of a long-distance run.
The fast-twitch fibers in my brain were reawakened during the workshop I attended yesterday during the Port Townsend Writer’s Conference: Flash nonfiction: Writing Memoir in 750 words or less led by the delightful Sayantani Dasgupta, a writer and a professor in the Department of English at the University of Idaho (Side Note for Grammar Geeks Fewer vs. Less – I’m straddling the fence here. Since we’re discussing word count, I’m sticking with fewer than, but I’m open to being persuaded in the direction of less if you can make a compelling “bulk” case. Oh my goodness, I heart Grammar!).
I am preparing myself for the emptiness I will feel when The Novel is complete. Not finished, mind you – months of revisions and multiple drafts undulate like an ocean before me; I’m already a little queasy at the thought – but the characters will have done their work and will either walk away forever or lie down to rest until their time comes ’round again. I’m braced for the “Now, what do I do?” feeling that will hit about the time the year turns away from autumn and hunches its head to the oncoming winter. So, I let my mind wander away from the Languedoc just a bit and feel around for new ideas. I return to jotting down those snippets of my life or overheard bits of others’ that become fodder for new tales to tell. My autumn/winter goal, to break up the tedium of editing editing editing, will be to complete several pieces – from flash to shorts and whatever is between.
In short fiction, each word carries great significance. This is true of all writing, of course, but there is the luxury of development and backstory in long form prose. Flash fiction in particular is a kissing cousin to poetry. Each word pops, stings, zings, shocks, compels, evokes, hearkens. There is a rhythm – a poetic flow – but also a tightness to the structure that makes it a complete art form, distinct, difficult and powerful.
To get us thinking about the power of words, Ms. Desgupta presented this writing prompt during yesterday’s workshop:
What if you were only allowed to use twenty words for the rest of your life? List these twenty words. How will you write a story of your life so far and of your vision of the future by weaving in and out of these twenty words?
In my tendency to overanalyze even the simplest of exercises, I wanted to make certain my words could convey multiple feelings, needs, desires, and experiences. These four came immediately to mind:
Then I thought of the things I do that make up the who I am:
What I value most spilled out:
Random things I cannot live without:
- vision (another one of those multiple meaning words, but suffice to say I’m epically near-sighted)
Words I would not want to give up, even though I could convey their meaning by pointing my finger:
And it struck me that I included these two words:
- Fuck (this one appeared on several lists; I think we all need one good curse in our arsenal. This covers so much ground in four letters: perfection)
But I didn’t include Love. I reckon love is implicit in words 1 -18. 19 & 20, too, really.
Can I write the story of my life using only twenty words? I think I just did.
Which twenty words would tell the story of your life?